How to Start A DnD Campaign

Curious on how to get your very own DnD campaign rolling? Well, it's probably simpler than you might think.

Dragons and Dungeons, also called D&D by official rulebooks – or DnD by fans – is a fantasy role-playing game that has been around for over 40 years. It was developed and designed by Gary Gygax and Dave Arneson, who are largely considered the grandfathers of the modern day TTPRG genre. DnD has been enjoyed by millions of people all over the world and continues to grow in popularity.


So, how to start a DnD campaign, you ask?


Currently, DnD is in its 5th edition, and the most recent version was released in 2014. If you’ve ever wanted to try playing DnD, or are already an avid player and finally want to try your hand at being the dungeon master (DM for short), I’ve made this guide specifically with you in mind.


There’s a lot that goes into starting an ongoing RPG campaign, and many new players and DMs find it overwhelming. Proper preparation goes a long way to making a great campaign, and keeps the process from becoming too complicated or confusing.


As the DM, you’re responsible for creating and running the game’s world, guiding players through their adventures, and making sure everyone is both having fun and following the rules. I know it seems like a lot, but I’ll go over everything you need to know to get started.


I’ll focus on how to plan and start a DnD campaign, with practical steps and valuable tips I’ve picked up along the way.

How to Start a DnD Campaign

How to Start a DnD Campaign – From the Beginning

Before starting your campaign there are a few things you need to think about. We’re talking about establishing groundwork before you even get too far into world building and game planning. These relatively boring but highly necessary practical steps help ensure that sure you and your players are on the same page, and can enjoy your game sessions to the fullest.


You would be amazed at how many terrific games fall apart for “normal life reasons.” For this reason, make sure you hit these mundane but critical steps, before committing to anything huge!


Communicate With Your Players

The first and most important thing you need to do is talk to your players. Find out what they’re looking for in a campaign. Do they want a fast-paced adventure with a lot of combat, or a slow-burn mystery with a plot twist at the end? A lot of times players don’t have a preference, and you get to go with whatever you’ve been wanting to experiment with, as a DM.


It’s also a good idea to be aware of how experienced the players in your party are with DnD. Do you have players that have been at it for years, or are most of your players brand new? Are they going to be roleplaying fully in character, or do they mostly prefer power gaming?Get a feel for what they’re looking for and use that info to help you plan your campaign.


Of course, you don’t have to give your players everything they want. If you want to run a certain type of campaign, make that clear from the beginning. It’s better to have a storyline or campaign arc that you’re excited about and can make interesting than to choose a campaign based on your party’s suggestions and hate it.


Consider your group’s input along with your own hopes for the campaign when planning your adventure. Communicate clearly with everyone so you’re on the same page and can run a game that everyone will enjoy.


Determine Session Length and Frequency

Another thing to consider for how to start a DnD campaign with your group is to plan out how long and how often you want to meet up and play. DnD campaigns can last for weeks, months, or even years. Similarly, individual game sessions can last for an hour, four hours, or even (as in the case of our mega dungeon, above), about twelve hours at a time.


I’ve been in groups that meet once a week for two to three hours, and groups that meet once or twice a month for longer sessions on the weekend. Every party and campaign is different, so collaborate with the other players in your group and figure out a schedule that works best for you.


The most important thing is to be realistic about how much time you have to dedicate to your campaign. If you only have a few hours every now and then, that is perfectly fine. Or, if you want a hardcore group of gamers that play for hours every weekend, that’s perfectly doable as well. Just make sure your players are aware of your preferences, and the group’s availability, so they know what to expect.

How to Start a DnD Campaign Dungeon

Plan Your Campaign

Now that you have an idea of what your players are looking for in the campaign and how often you’ll meet, it’s time to start planning the details of your actual campaign.


The first step is to come up with a general idea of what you want your campaign to be about. Do you want to run a prewritten adventure or create your own? (If you need some DnD quest ideas for your game, by the way, we’ve got you covered). Are you looking for something light-hearted, or dark and gritty? Once you have a basic idea, you can start fleshing out the game’s story.

If you chose a prewritten adventure, read through the whole book and take note of any plot points or NPCs (non-playable characters) that you want to highlight. You can also change details or add interesting elements to better suit what you have in mind.


If you are creating your own campaign, start by brainstorming a few key events, NPCs, and a beginning location. It’s also a really nice touch to pick out a soundtrack that you can plan to play in the background, or during certain encounters. YouTube and Spotify have exactly what you’re looking for.

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New to Dungeon Mastering?

If you haven’t before run a DnD campaign, when it comes to adventures, and the “what do I actually do during the game” type of thoughts, it might be helpful to start with a prewritten adventure. They give you a good idea of how to structure your sessions and overall campaign, and help you get a feel for what’s involved in running a campaign that people will rave about.


From there, you can start putting together a more detailed outline of your campaign. This is where you decide what quests the players’ characters will go on, what NPCs (non-playable characters) they’ll meet, and what challenges and combat they’ll face.

Bottom line: it can be really helpful to take a prewritten adventure for a starting point, then use your own creativity to come up with extended plotlines for each important element in the story.


If you are new to DMing, it can also be very helpful to talk to another DM about their experiences. People who have been doing it for a while can often help you avoid all kinds of pitfalls with your gaming group. For more help you can also check out our expansive article on dungeon master tools, which provides a great overview of everything you might need to make your campaign fun and successful.


In the case that you don’t have enough people for a full party — the recommended number is four to six — you can find additional players by getting in touch with your local game store, joining a D&D Discord server, and asking around for people in your area, or introducing a friend that has never played before to the game.


Game Consistency

One final note for how to start a DnD campaign – from the very fundamentals of the topic – is to always, always, always be consistent. This is particularly true for session length and frequency, so people can expect how much time to set aside to game.


However, it’s also true for every other aspect of the game. Think about things like:


  • Genre (don’t mix genres, in-game)
  • Storytelling methods (your own personal DM “style” and game vibe)
  • Use of music
  • Snacks available at the game
  • And even things like gaming environment (it can be really useful to have the game always hosted at one person’s residence, instead of always moving things around)


Consistency is one of the keys for making a campaign run the distance. It takes individual gaming sessions and turns them into a series of adventures that you’ll end up talking about with your friends for the rest of your lives.

If you haven’t looked at getting a DnD campaign planner yet, by the way, they are an excellent resource for helping you manage your ongoing game. They also help you stay consistent with small details in the story.

DnD Campaign Planner Usage

Elements of a Good Campaign

Now that you have a basic outline of your campaign, it’s time to start filling in the details. Here are a few things to keep in mind as you work out the in-depth steps of how to start a DnD campaign for your group:


Establish a Clear Goal/ Story

Your campaign should have an overarching goal/ storyline that your players know about (or at least think they know about). When players know what the campaign is “about,” it keep them interested, and ensures they’re able to create a general plan for how to advance the plot. Remember though that keeping players in the dark about some interesting plot twists is a good way to create drama and tension in the story that your players want to resolve.


Create Interesting NPCs

Your NPCs (non-playable characters) should be more than just talking heads. No one likes personality-less, static, nobodies.

Instead, your NPCs should be fully fleshed out characters with complex motivations and goals. The more interesting your NPCs are, the more invested your players will be in your campaign. Some prewritten adventures only have a few canned lines for NPCs, so don’t be afraid to improvise during conversations and make things more real.


You don’t need to go overboard with your NPCs, creating vast background stories, or immensely complex motivations, either. Simply give them a real feel to them, and as your campaign grows, so too will your NPC depth.


Balance Challenges

Your players should feel like they’re accomplishing something when they overcome an enemy or find a new item. If the challenges are too easy though, they will get bored. Too hard, they’ll get frustrated.


This sense of balance is especially true for combat. You don’t want your players to win after just a round or two of fighting, but you also don’t want them to die — especially if they’re new. Strike a balance and make sure everyone has fun.


As a note on what’s known as “TPK DnD” (where everyone in your gaming group dies), there are lots of ways to make stories from bad in-game events. Read my article on it if you want more info on that particular subject.


Build a Realistic World

Your campaign should take place in a realistic world. By that, I mean detailed and complex, not “true to reality” – we are talking about a fantasy world, after all.


Sure, there will be unbelievable and fantastic characters, dragons, elves, orcs, and magic, but your players should be able to appreciate the sense of reality in the world as a whole, and enjoy exploring it. Games become “weird” when the sense of reality and expectations gets too far out of whack.


There’s a balance to exploring the sense of wonder, magic, and majesty that DnD offers, while still keeping things grounded by a healthy bridge to reality.

How to Mix in Reality with Fantasy

Start a New DnD Campaign

Now that you have the basics of a good campaign, let me walk you through actually starting one. Most campaigns have a general outline.


Step 1: Choose a Starting Point

The first step is to choose a starting point for your campaign. This can be anything from a prewritten adventure to a simple idea that you came up with yourself. If you are new to being a dungeon master, it might be helpful to start with something prewritten and already fleshed out. Pre-written adventures give you a good idea of how to structure your campaign and help you get a feel for what is involved. After that, the process of creating adventures is typically fairly simple.


There are a few things to keep in mind when choosing a starting point for your campaign.


Appropriately-Leveled Characters

Make sure that the starting point is appropriate for the level of your party. If you are starting with a prewritten adventure, it should tell you what level each character needs to be at so you can plan accordingly. However, if you are making your own adventure, make sure that the difficulty is appropriate for the level of your players.


If you have a mix of experienced and new players, you’ll either need to have everyone create new level one characters or let the experienced players use old characters and have the new players create and level up their characters. The goal is to have everyone at the same level as running game sessions with characters that range in level adds to the difficulty.


Starting Point that Matches Your Story

The starting point should also be appropriate for the type of campaign you want to run. If you want to run a campaign that's mostly combat-focused, then make sure the starting point sets up the story and explains why there is so much animosity toward your party. Basically, just make sure the starting point makes sense for the campaign.


How Much Time Do You Have to Prepare?

You should also consider the amount of time you have to prepare for your campaign. If you’re short on time, it might be better to start with a prewritten adventure. You can simply read through the adventure and be ready to go without having to spend a lot of time preparing your own material.


If you do plan to create your own gaming sessions and stories, just know that in general, the more time you can put into preparation and planning, the better your game will turn out. For example, it's not uncommon for me to put 1hour of preparation into a 3-4 hour game. However, I'm also a very experienced dungeon master. If you're new, it might take you more time than that.


Step 2: Pre-Campaign Gaming Session

Once you have chosen a starting point, the next step is to have a game session that's entirely designed to prepare for the campaign.


This is a meeting with your players to briefly discuss the campaign and make sure that everyone is on the same page for meeting times and the campaign’s expected duration. This is also a good time for new players to create characters and for you to familiarize yourself with the player characters’ specs, races, and classes.


This is not a required step, but it does make your first real session go a lot smoother.


What to Cover In Your Pre-Campaign Gaming Session

Here are the basic things you should cover in your intro session:


  • Discuss the type of campaign you'll be running. Make sure that everyone is aware of the type of game you will be playing.
  • Go over the rules with your players. This is especially important if you are new to DMing or if your players are new to D&D. Make sure that everyone knows the basics of how to play the game. If you have a mix of experienced and inexperienced players, keep the new players until the end so they can learn in more detail without the more seasoned players getting bored or wasting their time.
  • Important rules to touch on include combat rules, dice rolling, how stats are compiled and what they affect, and how to perform spells and cantrips.
  • Have your players create their characters. It’s up to you whether you want everyone to make new characters, or if they can use an old character they’ve played with before. Creating a good, well-rounded character can be confusing, so you may need to walk through the steps of character creation with new players.
  • You and your players get to decide how detailed characters are going to be. Some players only include basics like name, race, class, and ability scores, while others like to include a complicated backstory, alignment, and maybe even a custom item or two that’s tied to their backstory.
  • It's also very important to discuss the level of commitment that you expect from your players. Some campaigns require more time and effort than others, so it's crucial to make sure that everyone's on the same page, if you want your campaign to last.
Start A DnD Campaign With A Character Mini

Step 3: Plot Hooks

The next step is to come up with plot hooks for your campaign. A plot hook is simply a way to get your players interested in the story. It can be anything from a mysterious artifact that needs to be retrieved to a villain that needs to be stopped.


There are a few ways to come up with plot hooks. The first is to look at your setting and see what could be happening in the game's world. For example, if you’re running a campaign set in a medieval city, you might have a plot hook involving a group of bandits or a dragon terrorizing the city. Another way to come up with plot hooks is to think about what kind of story you want to tell. If you want to tell a story about betrayal, for example, you might have a plot hook involving one of the player characters being betrayed by someone they trust.


Once you have a few ideas for plot hooks, the next step is to start fleshing them out. Decide what the goal of the plot hook is and what needs to happen for the players to accomplish it.


Step 4: Prepare Encounters

Step four is to start prepare basic encounters. An encounter is simply any situation that the players have to deal with which may involve some degree of difficulty or creative problem-solving. This can be a group of monsters they have to fight, a puzzle they need to solve, or an immersive roleplay experience with an NPC (non-playable character).


When preparing encounters, it’s important to think about what the players are supposed to accomplish. What is the goal of the encounter and what do the players need to do to complete it?


It’s also important to think about the difficulty of the encounter. It should be challenging, but by no means impossible. Like everything else, you want it to be interesting and take work, but still be enjoyable for the players.


The best way to determine the difficulty of an encounter is to use the Challenge Rating, or CR, of the monsters/enemies in the encounter. The CR is a number that combines the creature’s special abilities, hit points, and species. The higher the CR, the more difficult the encounter will be. CR for monsters is easily found in the D&D Monster Manual, whereas other forms of encounter CR can often be found in the D&D Dungeon Master's Guide.


You can use this system to balance encounters so they aren’t too easy or too difficult. Compare the CR to the party’s average level, and use your best judgment to decide how difficult it should be. It takes some practice to learn how to do this well, so take advantage of some online guides for help.


Once you’ve determined the difficulty of the encounter, you can start preparing for it. This means deciding what monsters or NPCs will be involved, and their individual stats.

How to Start a DnD Dungeon

Step 5: Opening the Campaign

Here’s the best part! The final step is to actually start the campaign. Do so with a grand opening scene. Make it as exciting, dynamic, and magical as possible. Doing so will set the tone for the rest of the campaign.


Here's are a few ideas for that first entrance into your gaming world:


The Council

This is a great way to start a campaign if you want to introduce the players to the gaming world right away. They can all be members of a council that is discussing events in the gaming world. This is also a good way to get the players to start thinking about their characters and how they imagine themselves fitting into the world.


The Rescue

This is another great way to start a campaign and is pretty common. You can have the players be part of a rescue team that is sent to save someone from a dangerous situation. One of my favorite rescue campaigns was going to save an NPC that had been captured by a dragon. We had some incredible combat situations, let me tell you.


The Attack

This is a great way to start a campaign if you have players who are itching to start combat right away (and many gamers are). You can have their first mission be to attack an enemy stronghold. Or, you can send them on a more mundane mission, and get ambushed on the way. This can get them interested and excited about the campaign from the get-go.


The Journey

This is a great way to start a campaign if you want to focus on the characters’ journey. You can have them start in their hometown and then set out on a long journey to reach their destination. This allows you to introduce the players to the gaming world, and gives the player's characters time to develop bonds with one other.


The Heist

This is a great way to start a campaign if you want to focus on getting the players to work together. You can have them plan and execute a heist, which is always very exciting. This allows them to use not only their class skills and abilities to complete the mission, but also their ingenuity, as they think through creative ways to sneak past guards, grab the artifact, and make a clean escape.

DnD Campaign Planner for Organization and Preparation

Final Tips for Running a Successful Campaign

As dungeon master for your group, you have a lot of responsibility on your shoulders. Not only do you have to come up with an engaging story, but you also have to keep track of all the different mechanics and rules of the game. It doesn’t have to be overwhelming — the most important thing is to have fun with the people in your campaign.


Here's a few final tips to keep the focus on the game's story, and having fun:


Be Prepared

This is the most important tip for running a successful campaign. You need to be prepared for everything. This means having all of your materials ready and having a plan for what you want to do, in-session.


Be Organized

Another important tip for running a successful campaign is to be organized. This means having all of your materials in one place, and being able to find them quickly. It also means having a schedule for the campaign so that you can keep track of what needs to be done, and when.


Keep It Simple

Don’t try to do too much. The more complex your campaign is, the more likely it is that something will go wrong. Keep things simple and focus on telling a good story. If you're new to being a dungeon master, keep a small cast of NPCs (probably no more than 10) until you get a feel for the game.


Be Flexible

Things will never go exactly as planned, and many times your party will decide to do something for which you hadn't prepared. So, stay flexible! Get good at creating details on the fly. If your players want to do something that you didn’t plan for, just roll with it. It’s more important to keep the game going than it is to stick 100% to your plan.


Have Fun

This is, hands down the most important thing! If you’re not having fun, then your players won’t be either. Remember that this is a game and everyone is there to have a good time. Don’t be too hard on yourself if things don’t go perfectly. You’ll get more comfortable and learn more tips to keep things running smoothly the longer you act as dungeon master.


So, relax, have fun, and enjoy the magic of the game.


Play Your Campaign With A Simple Gaming System

It's no secret than many tabletop roleplay games are fairly complex when it comes to rules. It's also not uncommon for rulebooks to be 300+ pages. For people who love tabletop games, the reward is well-worth the effort, of course.


But, did you know that there are tabletop RPGs that are much simpler to play than D&D? Eternity TTRPG, for example was created to make learning the game as easy as possible. Even new players can get going with a new RPG campaign in about 20 minutes.


So, if you aren't 100% set on playing DnD - and you're instead just looking for a great tabletop gaming experience - give Eternity TTRPG a try! You'll likely find that the learning curve is far, far easier than most games out there.

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Jacob Tegtman Eternity TTRPG Creator

Author - Jacob Tegtman

Dear reader, I hope you enjoyed this article. Tabletop gaming has been a passion of mine since I was 6 years old. I've played just about every game from Dungeons and Dragons to video games like Final Fantasy. These games have inspired me, made me laugh, made me cry, and brought me endless hours of enjoyment.


I started Eternity TTRPG - and the indie tabletop game that goes along with it (Eternity Shop) - to share my love of gaming with others. I believe that in our technology-driven age, tabletop games help bring a sense of magic and community back into our world.


If you love the site, please share it with others! I have lots of gaming-related material for you to peruse and use in your own gaming sessions. If you have any questions about the site or want to contribute, just send me a message using the "Contact" page, which you can find in the site's footer.

Final Fantasy TRPG layout: Mana grid graphic
By Jacob Tegtman January 20, 2026
Transcribed content from our recent YouTube video: https://www.youtube.com/watch?v=kPQfDB2cKSI Transcription Every Final Fantasy hero starts with a choice. Sword or spell. Raw power, or skill. But in Final Fantasy TRPG: Legend Edition, that choice doesn’t stop at your Class — it’s defined by the Jobs you choose from your class, the Circles you unlock, and the Limit Breaks that change the tide of battle. Today, we’re breaking down how Classes and Jobs actually work in Final Fantasy TRPG: Legend Edition — and how they shape your character from level one… to the final boss. Hey everyone, welcome back to Eternity TTRPG channel! If you caught one of my recent videos from before the holidays, we went deep into the Final Fantasy TRPG: Legend Edition core rulebook — and today we’re diving into one of the most iconic elements of any Final Fantasy system: Classes and Jobs ! Whether you’re planning your first character or optimizing a seasoned hero for this recently-released game, this guide has you covered. One of the longest-standing traditions in Final Fantasy is its Job system , and Legend Edition embraces this fully. Classes in this game are the framework or chassis of your character — they determine your character’s HP, MP, trained Skills, associated Jobs, and your Class Limit Break . Jobs are where the cool stuff really happens. Each Job is a set of abilities on a progression track, granting new Features at specific levels — these are called Circles . And you don’t just pick one — your character ends up with three Jobs (or four with optional full buy-in), each advancing at a different speed to give you abilities every level. There are four broad Classes you’ll choose from. Each class has what you could consider as subclasses – in Legend Edition, these are the “Jobs.” So, for example, some of the Warrior Jobs are berserker, dervish, dragoon, fighter, monk, samurai, and so on. So, let’s dive into the four classes: Number 1 - Warrior Masters of physical combat, Warriors excel in strength, endurance, and frontline fighting. Their Limit Break — Action Surge — lets them make extra attacks during an encounter, perfect for dealing burst damage. 2. Expert Battlefield manipulators and support roles go here. Experts rely on their wits and skill versatility, and their Limit Break — Savant — adds bonus dice to Skill rolls based on their level. 3. Mage If magic is your playstyle, Mages are your go-to. They lean into Spellcasting and area of effect mechanics. Their Turbo MP Limit Break doubles the effectiveness of MP spent on magical abilities during an encounter. And number four is Adept The hybrid class — versatile, adaptable, and capable of mixing physical and magical roles. Adepts don’t have a unique Limit Break; instead, they choose one from the other three classes, based on their job build. Now here’s where Legend Edition gets fun. Across the system are 50+ Jobs drawing inspiration from classic Final Fantasy favorites — think Black Mage , Dragoon , Thief , and more — giving you a huge palette of archetypes to mix and match. Each Job grants seven Features – called Circles – over its progression, spaced across levels based on whether the Job is on a Fast, Medium, or Slow advancement track — meaning strategic choices shape how your character evolves through the campaign. So, for example, you may choose the Warrior class because you like its HP, MP, and Skill point advancement numbers, you like its limit break, and you enjoy playing that overall archetype for your character. Then, you pick three Jobs to fill out your character. Say that you want a full warrior build, so you choose your three jobs to be: Dragoon, Knight, and Monk. From here, you’d decide which of those three jobs would be on your Fast advancement track, which should go on your Medium track, and which will be on your slow advancement. Important note here though: only one of your Jobs needs to be associated with your Class. That means the rest can actually be totally outside that box — so yes, you can be a Mage-warrior hybrid if it fits your concept! You could be a warrior class, with the Dragoon, Black Mage, and Chemist jobs. So, here’s the quick breakdown of Job progression: Fast Progression: Abilities at levels 1, 3, and every 3 levels thereafter Medium Progression: Abilities at levels 1, 4, and every 3 levels thereafter Slow Progression: Abilities at 2, 5, and every 3 levels thereafter This staggering system means every level feels like a growth moment. You get new Abilities (“Circles”) from all three of your jobs at the same cadence. But at the same time, you get Circles from the Jobs that are most important to you, at earlier levels. The rule book mentions this too, but if you do want to try out this awesome system, I’d recommend that you don’t stress too much about your first Job choices. There’s a ton of options here, which is great for replayability, and experimenting with side campaigns. But, there’s also too many Jobs to really nail down what you want to ideally play, the first time you try out this game. Probably instead, just pick classes that sound fun, and give it a whirl. To wrap up this video, I’m going to cover my personal favorite Job from each of the first three Classes. Since there’s over 50-jobs, there’s too many for me to dive into – at least today. But hopefully these quick snapshots give you a picture of how Jobs work, what kind of Abilities each provides, and some inspiration for your upcoming game: If I was to play a Warrior Job, I’d start with Dragoon: As you probably know, Dragoons are also often known as Dragon Knights . Dragoons are aerial combat specialists who use momentum for power. Originally trained to pierce the hides of massive foes like dragons, their style revolves around leaping high above the battlefield and crashing down with overwhelming force. Depending on the setting, Dragoons may hunt dragons, fight alongside them, or carry on their legacy after their extinction — but they’re almost always portrayed as guardians who stand against towering threats . In play, Dragoons are defined by the Jump and Blood of the Dragon Circles . Jump removes them from the battlefield for a round before returning with an automatic, high-impact strike. Meanwhile, critical hits generate Blood of the Dragon to fuel powerful Dragon Arts , which are the Dragoon’s situational combat techniques that modify your attacks, defenses, or Jump actions, for additional benefits. Next up, for the expert class, I’d probably start with Squire – I just have so many good memories from playing Final Fantasy Tactics: Instead of perfecting a single discipline, Squires develop adaptability through experience and improvisation. That flexibility makes Squires exceptional team players , able to step into gaps and support allies in many situation. Mechanically, the Squire revolves around Fundaments — where they grant short-term bonuses to allies based on that ally’s Class. Warriors hit harder, Experts perform better at skills, Mages cast more effectively, and Adepts can receive whichever boost fits the moment. As the Squire advances through their Circles, they can grant Fundaments to multiple allies at once, add secondary effects like increased damage or longer debuffs. I’m not always a team buffer kind of guy, but I do like the way Squires here make everyone else better , turning party coordination into a great strength. For my third Job, I’ll choose from the Mage class. This one’s really hard for me as I could see myself actually going like 3/3 mage, or maybe 2/3, at least. But, if I had to pick just one for my remaining Job slot, I’d go with Necromancer: Necromancers are reclusive magic-users whose art is inseparably tied to death and the Shadow. Often misunderstood or feared, they’re immediately recognizable by their Bone Commander — an undead construct that serves as both assistant and bodyguard. While some Necromancers lean into darker reputations, others act as shamans or intermediaries, communing with spirits to resolve unfinished business or bring peace to the dead. Their morality isn’t defined by their magic, but by how they choose to wield it. In play, Necromancers are spellcasters with access to the Necromancy spell list and a powerful Companion system . Their Bone Commander acts on their shared action economy, providing combat presence without needing its own stats or hit points. Their Limit Break, Friends on the Other Side , allows damage from the party to count as Shadow damage, supercharging Necromancer features and reinforcing their role as battlefield controllers who blur the line between ally and undead asset. So! There you have it. From adaptable Squires and sky-shattering Dragoons to shadow-touched Necromancers and beyond, Legend Edition’s Classes and Jobs are all about expression through choice . Your Class sets the foundation, but your Jobs — and how you progress them — define how your character actually plays at the table. Legend Edition feels... unmistakably Final Fantasy. What I really want to know is... from the 50+ jobs available in Legend Edition, what three Jobs would best define your Character? List your Jobs in the comments. Otherwise, thanks for watching! If you enjoyed this breakdown of Classes and Jobs in Final Fantasy TRPG: Legend Edition, hit that like button, subscribe for more content, and ring the bell so you don’t miss our next video.
By Jacob Tegtman January 15, 2026
Transcribed content from our recent YouTube video: https://www.youtube.com/watch?v=QQLN8bvlo-Q Transcription If you’re like me, you just watched Stranger Things Season 5, and it was amazing. Personally, I felt like it really hit similarly to the first season – they did a great job. But you're watching Stranger Things, getting hyped about seeing D&D represented in mainstream media, when suddenly Mike declares he's casting a spell, as a paladin... at first level. And you're sitting there thinking, "Wait, that's not how that works." Well, you're not alone. Today we're diving deep into three quick, but glaring D&D mistakes – or, perhaps intentional and fun D&D alternations – that Stranger Things has made throughout its run. I love Stranger Things, so this is by no means a criticism of the show. If anything, some of these mistakes just makes me like it more. Because, let’s get real – most D&D games fudge something in the rules anyways. It’s part of the fun. And no one really wants to be a rules lawyer all the time. What's up, dice rollers! Welcome back to Eternity TTRPG where we explore everything that makes tabletop RPGs amazing. I'm your host, and today we're taking a critical but loving look at how Stranger Things – arguably the biggest mainstream representation of D&D we've ever had – got some pretty fundamental (and sometimes funny) things wrong about our favorite hobby. Now, before we dive in, let me be clear: I absolutely love that Stranger Things brought D&D into the spotlight. The show has introduced countless people to our hobby, and that's incredible. As D&D enthusiasts, we can appreciate the show while also having some fun pointing out where the Duffer Brothers maybe should have consulted their Player's Handbook a bit more carefully. So grab your dice, settle in, and let's explore three quick strange things that Stranger Things got wrong about D&D. Mistake #1: The Demogorgon Campaign Confusion I’m gonna call this “Mistake #1,” by the way, and you’ll find out why in just a minute. But let's start with this big one from Season 1. In the very first episode, we see the boys playing D&D, and Will's character encounters the Demogorgon. Now, the show treats this like it's some kind of final boss encounter, but here's the problem: a Demogorgon in D&D is a CR 26 creature. Basically, a Lv.26 monster. That's endgame content for level 20 characters. These kids are clearly playing low-level characters – probably somewhere between levels 1-5 based on their abilities and the campaign Mike’s describing. A real Demogorgon would obliterate their entire party in a single round without breaking a sweat. It would be like sending a group of mall security guards to fight Godzilla. What the show probably meant to use was a lesser demon or maybe just called it a "demogorgon" as a generic monster name. But for D&D players, it's like watching someone try to drive a car with a boat steering wheel – technically it's transportation equipment, but it's completely wrong for the situation. Is this really a mistake though? I’d say yes, technically. But also, we all know how kids get when playing games. Mike was probably like, “hey, you know what would be cool for my party of Lv.5 adventurers? Give them something that inspires them. Like this CR26 literal god.” It’s the type of move that every DM has done at some point – just go way, wayyy overboard. And again, that’s part of the fun with games like D&D. Mistake #2: The Paladin Spell Situation This one is really funny to me because it happens multiple times throughout the series. Mike's primarily the dungeon master for his group. But when he plays, his character is consistently referred to as a paladin, and we see him attempting to cast spells at what appears to be first level. Here's the issue: in every edition of D&D that would have been available when Stranger Things is set – we're talking late 70s to early 80s – paladins don't get spells until much higher levels. In AD&D (Advanced dungeons and dragons), paladins don't get their first spell until 9th level. Even in modern 5th Edition, paladins don't get spells until 2nd level. But the show has Mike casting spells right from the start. It's a small detail, but it shows a fundamental misunderstanding of how the class works. It would be like showing a wizard swinging a two-handed sword as their primary weapon – technically possible in some circumstances, but it misses the point of the class – for that level, at least – entirely. It’s another “mistake” though that many groups would make, probably especially kids. You want to play a character who can do cool things, at any level. So maybe this was another intentional move on the Duffer brothers’ part, showing not just the rules for D&D, but how people actually play. Mistake #3: The Dice Rolling Drama This one’s more about dramatic license. Throughout the series, we see characters making single dice rolls for incredibly complex situations, and the entire outcome hinges on that one roll. Real D&D involves a lot more dice rolling and a lot more back-and-forth between players and the DM. Combat isn't usually resolved with a single dramatic roll – it's a series of attack rolls, damage rolls, saving throws, and tactical decisions. The show makes it look like D&D is just "roll a d20 and see what happens," when the reality, as we all know, is much more nuanced. The most egregious example is in Season 1 when Will's fate seems to hinge entirely on a single d20 roll. While dramatic moments like this can happen in D&D, they're usually the culmination of a longer sequence of events, not the entire encounter. Of course, filming four kids rolling dozens of dice over and over doesn’t make for great visual episodes, I assume. This one is really more to point out that anyone who isn’t familiar with D&D may be a bit surprised walking into a real gaming session at how many dice really do get rolled. On platforms like Reddit, the D&D community's reaction to these inaccuracies has been... interesting. Players have been discussing these since the show premiered. One user pointed out in a popular thread: "I love that Stranger Things brought D&D to the mainstream, but I wish they'd gotten a consultant who actually understood the game mechanics. It's like they researched D&D by reading about it rather than playing it." Another user noted: "The show gets the emotional core of D&D right – the friendship, the collaborative storytelling, the escapism. But the mechanical details are so wrong that it's distracting for anyone who actually plays." Now, do these mistakes matter? I would argue they don't – Stranger Things is a TV show, not a D&D tutorial. People may come into the hobby with incorrect assumptions on how things work. But, if more people are getting into the hobby, then that's positive. And D&D – or let’s at least say tabletop roleplay games – have experienced unprecedented growth partly thanks to Stranger Things, and that's amazing for our community. So here's what I want to know from you: is there anything else fun or silly that I missed from Stranger Thing’s D&D inaccuracies? I’m sure there has to be more than just these three, so please hit me up in the comments and let me know what you’ve found! And that wraps up our dive into Stranger Things, for today. Remember, this comes from a place of love – both for the show and for D&D. If you enjoyed this quick video, make sure to hit that like button and subscribe for more D&D content. Whether you're fighting demogorgons in the Upside Down or just trying to survive your first dungeon crawl, keep those dice rolling!
Dragonlance
By Jacob Tegtman December 17, 2025
Transcribed content from our recent YouTube video: https://www.youtube.com/watch?v=257fKzW8yzA Transcription Before there was Game of Thrones, Baldur’s Gate, and Critical Role.… there was Dragonlance .  A fantasy saga that defined an entire generation of D&D players — epic wars, tragic heroes, and dragons that actually felt like dragons. But if you aren’t familiar, what is Dragonlance — and why are we still talking about it in 2026? Well to answer that last question, the new “Legends Edition” which is the second Trilogy of Dragonlance is coming to Amazon in February. This is a big deal because getting new copies of the original Dragonlance Chronicles Trilogy, and now this second “Legends” Trilogy was becoming very difficult. I’m hoping these new prints rekindle the spark of one of the greatest D&D settings and novel series of all time, and introduce even more people to its magic. Welcome back to Eternity TTRPG, your home for D&D history, lore deep-dives, and the stories that shaped the game we play today. If you love tabletop RPGs, classic settings, and learning why D&D looks and plays the way it does today, you’re in the right place. So, let’s talk about one of my favorite fantasy settings – and fantasy book series of all times – Dragonlance . Dragonlance started as a bold idea from Tracy Hickman and Laura Hickman , later developed with Margaret Weis at TSR. To answer the burning question you may be having, right off the bat – yes, the Dragonlance adventures came before the book series. At the time, most D&D adventures were simple and modular. You’d kick in a dungeon door, fight some monsters, grab treasure, and move on. Dragonlance asked a very different question. What if Dungeons & Dragons could tell one long, epic story? Instead of disconnected adventures, the Dragonlance team wanted a campaign with a clear beginning, middle, and end. A single, continent-spanning war. A story that unfolded over time, not just session to session. To make that work, players wouldn’t create random characters. They’d play pre-generated heroes, each designed to fit directly into the narrative, with personal arcs baked into the plot. That idea became the original Dragonlance AD&D module series — eventually twelve linked adventures telling the story of the War of the Lance. On paper, it was revolutionary. At the table… it was complicated. The problem is simple. And honestly, you can probably pause the video here and tell me the problem, yourself, based on your own D&D games. It’s basically this: D&D games, and it’s players – are unpredictable. Dungeons & Dragons thrives on player choice, improvisation, and chaos. Dragonlance, on the other hand, needed players to be in very specific places, doing very specific things, at specific times. If the party ignored a hook, skipped a location, or made an unexpected choice, the entire story could fall apart. So the modules relied heavily on railroading — nudging, and sometimes outright forcing, players back onto the intended path. That tension made Dragonlance awkward to run as a campaign. The story was strong, but the format worked against the strengths of tabletop roleplaying. And that’s when Dragonlance found the form it was truly built for. To promote the modules, TSR (that is, the company founded by Gary Gygax and Don Kaye, to publish D&D) decided to release a trilogy of tie-in novels. That decision came late, the original author didn’t work out, and Margaret Weis and Tracy Hickman ended up writing the first book themselves — in roughly three months. The result was Dragons of Autumn Twilight, released in 1984. Which, even talking about almost brings a tear to my eye – the book was just that impactful to me in my teenage years. TSR expected modest sales. But instead, the book was a massive hit. For many readers, this wasn’t just their first Dragonlance novel — it was their first D&D novel. It introduced the idea that a D&D party could be the heart of a fantasy epic, with flawed characters, emotional arcs, and long-term consequences. This is basically why Dragonlance matters to D&D history. And not just a little bit. It matters – a LOT. Dragonlance proved that Dungeons & Dragons wasn’t just a game system — it was actually its own entire storytelling engine. If you haven’t read the novel series, I have some amazing news for you, shortly. But at its core, Dragonlance is about one idea: hope in darkness. The world of Krynn is broken. The gods are distant. War is everywhere. People are scared, tired, and cynical. But, the world of Dragonlance isn’t saved by a single chosen hero. Instead, this novel series tells you that the world can be saved when ordinary people choose to do the right thing, even when it’s hard, and even when it feels pointless. That philosophy shaped the tone of the setting. Dragonlance was darker than most TSR-era worlds, but it was never hopeless. Friendship mattered. Faith mattered. Sacrifice mattered. Umm, a lot. Those themes became incredibly influential, especially for party-focused storytelling in D&D campaigns. Dragonlance also changed how dragons were treated in D&D. Before this, dragons were often just very powerful monsters. Dangerous, sure — but still just another encounter. Dragonlance made dragons rare, mythical, and world-shaping. What becomes the mystical return of dragons isn’t just a side quest in this setting. It’s THE central event that changes the balance of power across the entire world. That idea — that dragons should feel legendary, and not just routine — stuck, and it still shapes how dragons are presented in modern D&D. After the success of the original trilogy, Weis and Hickman followed it with Dragonlance Legends, which is what I’ll be getting to more about in just a few minutes. Instead of escalating to an even bigger war, Legends zoomed in. It focused on the twins from the first trilogy: Raistlin and Caramon Majere, and on the topics of ambition, responsibility, and the cost of power. It introduced time travel – which to be honest, I don’t love – personal tragedy, and consequences that felt intimate. This trilogy, too, was a massive success, even hitting the New York Times bestseller list — a first for TSR. For a brief moment, Dragonlance wasn’t just a D&D setting. It actually became the face of D&D storytelling. But Dragonlance’s greatest strength eventually became its weakness. The setting was tightly bound to one story and one cast of characters. Once the War of the Lance was resolved, the world of Krynn felt… finished. New stories struggled to find the same weight. Bigger threats felt repetitive. New heroes had a hard time stepping out of the shadow of the originals. Unlike the Forgotten Realms, Krynn never felt like a neutral playground. It felt like a world where the most important story had already happened. And slowly, Dragonlance faded from the spotlight. Dragonlance went quiet after 2010. But in February 2026, we’re getting a new hardcover release of Dragonlance Legends — collecting the full trilogy with new behind-the-scenes material from Weis and Hickman. It’s not a full revival of the setting. It’s a reminder of an important moment in D&D history, when the game experimented with storytelling in a way that permanently changed how we think about campaigns. This trilogy about the twins: Raistlin and Caramon – is coming after the Chronicles trilogy was rereleased (I believe) just this last year – I got my copy from Margaret Weis at GenCon. These books haven’t been in print for some time. So, if you like what you’ve been hearing about Dragonlance, or you – like me – are a longtime fan, you may want to pick these up. You can get the original Chronicles Trilogy on Amazon now, and the second Trilogy – Legends – is coming out this February. Dragonlance asked a question that D&D is still trying to answer: Is this game about total freedom… or about telling powerful stories? Most tables today try to balance both. And whether you loved Dragonlance or bounced hard off its railroads, its influence is still baked into how D&D is played, written, and remembered. So I want to know — have you read Dragonlance, or played in a campaign set in Krynn? Would you run a Dragonlance campaign today, or does it feel too tied to its story? Let me know in the comments, like the video if you enjoyed it,subscribe for more D&D deep dives, and I’ll see you next time.
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